Double Impact
$3000
/ pair
Free shipping in the continental US!
Description
Given its exceptional sonic performance often rivaling speakers at significantly higher price points, the Tekton Design Double Impact stands as a disruptive force in the audio market, offering audiophile-grade sound quality that challenges the traditional price-to-performance paradigm . This remarkable value proposition allows a wider range of enthusiasts to access reference-level audio experiences, effectively disrupting the high-end loudspeaker landscape .
For discerning audiophiles seeking uncompromising performance, the Tekton Design Double Impact consistently achieves top marks across essential acoustical and musical attributes. This patented loudspeaker offers a compelling value proposition, delivering a level of sonic excellence that challenges and often surpasses the competition in its size and price range, a fact underscored by feedback from audiophiles who have compared it to significantly more expensive models, including those with experience owning models such as the Wilson Audio Sasha and Watt/Puppy, attest exceeds that of its competitors.
- Made under U.S. Patent 9247339
- Proprietary 4-way loudspeaker design
- Proprietary Tweeter Array: Experience “perfect midrange” with our patented, low-mass, polygon-oriented tweeter array. This unique design delivers the focused sound of a horn without the associated distortion, resulting in exceptional clarity and detail.
- 2 Pendragon 10″ transducers
- Dual 6″ mid-bass transducers
- 98.82dB 2.83V@1m sensitivity
- 4 Ohm version – please specify 8 Ohms if preferred
- 30Hz-30kHz frequency response
- Ultra-linear frequency response with ±1dB deviation from 70Hz-20kHz
- 400 Watt power handling
- Height 54″ (137.16 cm) x Width 12″ (30.48 cm) x Depth 17.75″ (45.085 cm)
- Weight 118Â lbs.
- Grilles can be added and are optional
- Manufactured in the USA
The Tekton Design Double Impact:
- Introduction: The Tekton Design Double Impact – A Market Analysis of Positive Attributes
Tekton Design has established a strong reputation within the hi-fi audio industry for producing loudspeakers that deliver exceptional performance through innovative design. Our brand is known for challenging conventional notions of high-end audio, often providing reference-caliber sound at more accessible price points. Among their offerings, the Double Impact model stands out as a best-selling product, a testament to its widespread appeal and positive reception within the audiophile community
Exceptional Sonic Performance: A Synthesis of Reviews
The Tekton Design Double Impact has consistently impressed both professional reviewers and end-users with its remarkable sonic capabilities. Across various sources, the overall sound quality is frequently lauded using superlatives such as “wonderful,” “amazing,” and “perfect” 2. Many listeners describe the experience as highly immersive and natural, with the speakers effectively “disappearing” from the listening room, leaving only the pure, unadulterated sound of the music 3. This ability to create a transparent and engaging sonic landscape is a hallmark of high-fidelity audio, and the Double Impact appears to excel in this regard, with one enthusiastic user even proclaiming their listening experience as reaching “audio nirvana” 3.
A closer examination of the sound quality reveals specific areas of excellence. The bass performance of the Double Impact is consistently praised for its depth, power, and accuracy. It is described as “full,” “immersive,” and possessing a “shocking” level of both depth and accuracy, even in larger listening environments 2. Many reviewers and users report that the bass is so well-extended and controlled that the need for a separate subwoofer is entirely eliminated 2. One user specifically noted a “startlingly flat bass response” achieved even with less than ideal speaker placement, highlighting the inherent capability of the design 3. Furthermore, the upgraded Double Impact SE model is recognized for its “better dynamics and tighter bass” when compared to other speakers considered to be at a reference level 2. This robust and articulate bass performance forms a solid foundation for the entire sonic spectrum.
The midrange frequencies, crucial for the accurate reproduction of vocals and many musical instruments, are also highly acclaimed. The Double Impact’s midrange is described as “detailed,” “luscious,” and “spot on,” with reviewers noting the accurate tonality of both instruments and vocals 2. The patented tweeter array, a key design element, is specifically credited with delivering “perfect midrange” 3. This innovative array contributes to a level of clarity and fidelity in the midrange that some listeners have even compared to the performance of electrostatic loudspeakers, known for their exceptional midrange transparency 3. This suggests a remarkable ability to convey the nuances and textures within the heart of the musical performance.
The treble performance of the Double Impact complements the strong bass and midrange, being characterized as “smooth,” “organic,” “pristine,” and “refined” 2. The patented tweeter array is again highlighted for its role in achieving superior high-frequency performance without introducing unwanted audible artifacts or ringing 1. One user reported that any initial brightness they perceived in the high frequencies seemed to diminish over time, particularly when paired with warmer-sounding amplification, suggesting a potential for further sonic refinement with appropriate system matching 5. This smooth and extended treble contributes to an airy and detailed presentation without causing listening fatigue.
The ability of the Tekton Design Double Impact to create a convincing and immersive soundstage is another frequently cited positive attribute. Reviewers and users consistently describe a “gigantic soundstage” with “holographic imaging,” often conveying a sense of “3D” sound 3. Listeners report the ability to clearly discern the placement of individual instruments within this expansive sonic landscape, enhancing the realism and engagement of the listening experience 3. The off-axis performance is also noted as being exceptionally good, allowing for a wider sweet spot and consistent sound quality across a broader listening area 4. This impressive soundstage and imaging contribute significantly to the feeling of being present at the original musical event.
Furthermore, the Double Impact is praised for its exceptional level of detail and resolution. Reviewers highlight the ability of these speakers to reveal subtle nuances and information within recordings that were previously unnoticed on other systems 2. This level of detail is so impressive that it has been favorably compared to that of high-performance electrostatic loudspeakers 3. One user even noted that the Double Impact clearly revealed the sonic differences between various digital sources, underscoring its transparency and ability to reproduce fine details 3. This high level of resolution allows listeners to fully appreciate the artistry and intricacies of their favorite music.
Beyond the technical aspects of sound reproduction, the Double Impact is frequently described as sounding “natural,” “like real music,” and possessing a high degree of “musicality” 2. One reviewer mentioned the captivating effect of the speakers, allowing them to become completely immersed in the music without focusing on the sound itself 6. The ability of the Double Impact to create the “illusion of real music” is a testament to its overall sonic coherence and faithful reproduction capabilities 7. This natural and musical presentation makes for a truly enjoyable and emotionally engaging listening experience.
Professional reviewers from reputable audio publications have also offered overwhelmingly positive assessments of the Tekton Design Double Impact. Stereo Times hailed it as a “singular, revolutionary and state-of-the-art design,” emphasizing its groundbreaking nature 1. Positive Feedback described the Double Impact as being “among the best loudspeakers” they have had the pleasure of hearing in real-world listening conditions and declared it a “stunning achievement in speaker design” 1. Home Theater Review was “totally amazed” by the speaker’s performance, asserting that it functions as a “reference-level speaker” capable of competing with and even outperforming models priced significantly higher 7. Indeed, multiple professional reviewers have explicitly stated that the Double Impact offers performance comparable to or exceeding that of speakers costing thousands of dollars more 1. Positive Feedback went so far as to declare the Double Impact as their “new reference” loudspeaker, signifying the highest level of endorsement 8.
The experiences shared by users further corroborate the positive assessments from professional reviewers. Many users report being profoundly impressed, using terms like “shocked” and “floored” to describe their initial listening experiences 3. A significant number of owners consider the Double Impact to be the “best speaker I have ever owned,” highlighting the high level of satisfaction it provides 3. Some users have even expressed that their “search for great sound is over” after acquiring the Double Impact, indicating a sense of long-term fulfillment 2. The ability of the speakers to reveal previously unheard details in familiar musical selections is a recurring theme in user feedback 2. Furthermore, listeners consistently report the absence of listening fatigue, even after extended periods, suggesting a comfortable and enjoyable sonic presentation 2.
To further illustrate the consistent positive reception of the Double Impact’s sound quality, the following table compiles key quotes from both professional reviews and user testimonials:
| Quote | Source | Aspect of Sound Praised |
| “The sound is so full, immersive, detailed and musical. It literally fills the large room even at modest volume levels.” | Scott (User) | Overall Sound Quality, Detail |
| “The raw detail, gigantic soundstage, and holographic imaging floored me.” | J (User) | Detail, Soundstage, Imaging |
| “The DIs are, in my opinion, among the best loudspeakers that I have had the pleasure of hearing under real world conditions.” | Clement Perry (Stereo Times) | Overall Sound Quality |
| “I have never heard so much information being presented in my system before. Detail is amazing…” | Steve Lefkowicz (Positive Feedback) | Detail |
| “Bass response was simply superb, as was the speaker’s ability to really load the room with a deep visceral impact.” | Steve Lefkowicz (Positive Feedback) | Bass Performance |
| “The Double Impact seemed to disappear like a great ribbon, AMT, electrostatic, or planar design in the way it re-created the soundstage.” | Terry London (Home Theater Review) | Soundstage, Imaging |
| “The midrange is glorious, deserving more words than I can write here. The treble is pristine and liquid.” | E. Diaz (User) | Midrange, Treble |
| “I’m keeping these, I truly feel that if I wanted to upgrade to better sound it would cost me double to triple what I paid…” | Anonymous (Audiogon Forum User) | Value Proposition, Overall Sound |
This compilation of direct feedback underscores the consistently high praise directed at the Tekton Design Double Impact across various aspects of its sonic performance.
- Unrivaled Value Proposition in its Class
A significant aspect of the Tekton Design Double Impact’s appeal lies in its exceptional value proposition within the competitive loudspeaker market. Numerous reviews and user comments explicitly state that the Double Impact performs at a level comparable to or even exceeding that of speakers carrying much higher price tags 1. Stereo Times highlighted this point by noting that the Double Impact, at its modest price, is “changing the whole notion, financially and technically, of reference caliber loudspeakers” 1. This suggests that Tekton Design has managed to achieve a level of sonic excellence typically associated with significantly more expensive products. One user on an audio forum expressed the sentiment that upgrading to a demonstrably better-sounding speaker would likely require an investment of “double to triple” the cost of the Double Impacts, further emphasizing their perceived value 10. The speaker is frequently described as an “outstanding value” for the level of performance it delivers 1.
Direct comparisons with higher-priced competitors provide concrete evidence of the Double Impact’s remarkable value. Home Theater Review found that the Double Impact significantly outperformed the YG Acoustics Carmel 2, a loudspeaker with a considerably higher retail price 5. The reviewer also noted that the Double Impact surpassed their own reference Lawrence Audio Cello speakers, which retail for approximately $18,000, in key areas of performance 5. Positive Feedback suggested that the Double Impact could confidently compete with speakers in the $10,000 and above price range 8. Adding to this, a user on an audio forum speculated that the Double Impact could “easily compete with Wilson Alexia and Magico S5/M3,” both highly regarded and expensive high-end loudspeaker models 11. These comparisons strongly suggest that the Double Impact offers a level of sonic performance that belies its relatively affordable price.
The concept of the “Law of Diminishing Returns” is often discussed in the context of high-end audio, where incremental improvements in sound quality can come at exponentially increasing costs. One forum user astutely observed that Tekton Design appears to have brought this “Law Of Diminishing Returns” down to the $3,000 price range with the Double Impact 12. This implies that the speaker offers a level of performance that is very close to the pinnacle of what is achievable in audio reproduction, without requiring the exorbitant investment typically associated with ultra-high-end systems. This perspective underscores the efficiency of the Double Impact’s design and the exceptional value it provides in terms of performance per dollar spent.
- Innovative Design and Engineering Excellence
The exceptional performance of the Tekton Design Double Impact is underpinned by its innovative design and engineering. A key feature is the patented tweeter array, a unique multi-driver arrangement based on a D’Appolito layout that incorporates a circular array of seven tweeters 1. This patented design is described as having “proprietary controlled directivity,” enabling it to project a “precisely focused acoustical power pattern” akin to a horn or waveguide, but without the undesirable audible ringing often associated with such designs 1. The design aims to achieve optimal alignment between the moving mass of the speaker cones and the harmonic spectra of the musical instruments being reproduced 1. Functionally, the array operates with the six outer tweeters acting as an ultra-light upper midrange transducer surrounding a central tweeter that handles the higher frequencies 6. This configuration allows for an exceptionally quick and detailed response in the crucial midrange frequencies.
The Double Impact utilizes a carefully selected driver configuration, including dual 10″ Pendragon transducers and dual 6″ mid-bass transducers 1. The Special Edition (SE) version features upgraded ‘SE’ transducers for enhanced performance 2. One reviewer specifically praised the use of paper cone woofers for their natural and realistic sound reproduction 13. The upgraded components in the Double Impact SE extend to the woofers, mid-bass drivers, and tweeters, further contributing to its improved sonic capabilities 2. The selection of these specific drivers and materials reflects a commitment to achieving a particular sonic character and a high level of performance.
Several key specifications of the Double Impact contribute directly to its positive performance attributes. Its high sensitivity, rated at 98.82dB for the standard model and 99dB for the SE version, makes it remarkably easy to drive with a wide variety of amplifiers, including those with relatively low power output 1. The wide frequency response, spanning from 20Hz to 30kHz for the standard model and 30Hz to 30kHz for the SE, ensures the reproduction of the entire audible spectrum of music 2. The ultra-linear frequency response, with a minimal deviation of ±1dB between 70Hz and 20kHz, indicates a high degree of accuracy and tonal balance across the critical listening range 2. The high power handling capability, rated at 400 Watts for the Double Impact and 500 Watts for the SE, allows the speakers to play at high volume levels without introducing noticeable distortion 2. Finally, the 4 Ohm impedance is noted as being optimal for achieving the speaker’s intended performance characteristics 2. These technical specifications collectively demonstrate the robust engineering behind the Double Impact and its ability to deliver high-fidelity sound with efficiency and power.
While some user feedback on the standard Double Impact model mentions a somewhat “plain” or “industrial” aesthetic 10, the Double Impact SE is specifically described as having a simple yet elegant design that belies its impressive performance 2. This suggests that Tekton Design has also considered the visual appeal of the upgraded model, which can be an important factor for many potential buyers.
- Accolades and Industry Recognition
The Tekton Design Double Impact has garnered recognition from the audio industry, further validating its performance and value. Notably, the Double Impact received the prestigious “Best of 2017 Awards” from Home Theater Review 3. This award signifies that the Double Impact was recognized as one of the top products in its category for that year by a respected industry publication. The speaker also generated positive buzz and attention at the Capital Audiofest (CAF), as noted by a reviewer from Enjoy The Music 3. While the provided snippets do not contain an extensive list of awards specifically for the Double Impact, it is worth noting that other Tekton Design models have also received significant accolades. For instance, the Tekton Design Moab loudspeaker has been a three-time Product of the Year award winner 15. Additionally, the Moab received “Home Theater Review’s Best of 2019 Awards” 8, and the Pendragon model was recognized as “Best of 2012” by Home Theater Review 8. More recently, the Encore Monitor was named “2024 budget speaker of the year” by Stereo Times 8. These awards across the Tekton Design product line suggest a consistent commitment to high-quality audio engineering and performance, which likely extends to the Double Impact model as well.
- Standing Tall Against the Competition: Positive Speaker Comparisons
The Tekton Design Double Impact has been favorably compared to a wide range of other loudspeakers, often outperforming models at similar or significantly higher price points. In a direct comparison, the Double Impact was found to do “everything better” than the Tekton Lore, a speaker that had served as a long-term reference for one reviewer 6. The Double Impact’s level of detail and resolution is so impressive that it has been favorably compared to some of the best electrostatic loudspeakers the reviewer had ever heard 6. It also surpassed the reviewer’s previous reference for detail and resolution, the VMPS RM-2neo 6. In another comparison, the Double Impact exhibited all of its positive sonic characteristics but with even more powerful bass response than experienced in the reviewer’s own listening room when compared to Zu Audio speakers 6. When replacing KEF LS-50 loudspeakers in another system, the Double Impact maintained tonal neutrality and extended frequency range while adding a significant amount of midbass power 6.
The Double Impact has also been shown to outperform loudspeakers in higher price brackets. It surpassed the Acoustic Zen Crescendo Mk2 in terms of transient speed, overall “aliveness,” and the accuracy and tightness of its bass response 7. Most notably, the Double Impact significantly outperformed the much more expensive YG Acoustics Carmel 2 in virtually every critical performance parameter, including soundstaging, bass extension, overall dynamics, and clarity 7. Furthermore, a reviewer who had owned the Lawrence Audio Cello speakers, which retail for around $18,000, for over five years as their reference, stated that the basic Double Impact speakers outperformed their Cellos in several key aspects 7.
In discussions on audio forums, the Double Impact has been compared to other respected brands and models. One reviewer noted that the Double Impacts reminded them of their older Thiel 3.6 and 7.2 speakers in terms of their substantial size and the impressive level of sound they produced, also sharing a similar sense of transparency 10. The Golden Ear Triton was identified as one of the Double Impact’s biggest competitors in the $3,000 price range 10. Additionally, multiple users have expressed the opinion that the Tekton Double Impact can hold its own against any speaker priced up to $5,000 10.
To provide a clear overview of the Double Impact’s competitive standing, the following table summarizes key positive comparisons made in the reviewed material:
| Compared Against (Speaker Model) | Area of Positive Comparison | Source |
| Tekton Lore | Overall performance – did everything better | Positive Feedback |
| Electrostatics | Detail and resolution | Positive Feedback |
| VMPS RM-2neo | Detail and resolution | Positive Feedback |
| Zu Audio speakers | Bass response | Positive Feedback |
| KEF LS-50 | Midbass power | Positive Feedback |
| Acoustic Zen Crescendo Mk2 | Transient speed, “aliveness,” bass response | Home Theater Review |
| YG Acoustics Carmel 2 | Soundstaging, bass extension, overall dynamics, clarity | Home Theater Review |
| Lawrence Audio Cello | Overall performance | Home Theater Review |
| Thiel 3.6 and 7.2 | Size, sound quality, transparency | Audiogon Forum |
| Golden Ear Triton | Competitor in the $3k price range | Audiogon Forum |
| Speakers under $5k | Overall sound quality | Audiogon Forum |
This table clearly illustrates the Tekton Design Double Impact’s ability to compete effectively and often outperform a diverse range of loudspeakers, including those priced significantly higher.
- Conclusion: The Compelling Case for the Tekton Design Double Impact
The analysis of professional reviews, user testimonials, official specifications, and comparative evaluations overwhelmingly demonstrates the exceptional qualities of the Tekton Design Double Impact loudspeaker. The evidence consistently points to a product that delivers outstanding sonic performance across all critical parameters, including a powerful and articulate bass, a detailed and natural midrange, smooth and refined treble, and a wide and immersive soundstage with precise imaging. The Double Impact stands out for its ability to reproduce music with a high degree of realism and musicality, captivating listeners and drawing them into the heart of the performance.
A key differentiator for the Double Impact is its remarkable value proposition. It consistently receives praise for performing at a level that rivals or surpasses loudspeakers costing significantly more, challenging the traditional price-to-performance paradigm in the high-end audio market. This is achieved through innovative design, most notably the patented tweeter array, and a careful selection of high-quality components. The Double Impact’s ability to outperform well-regarded and expensive competitors underscores its exceptional engineering and the effectiveness of its unique design principles.
While direct awards for the Double Impact are somewhat limited in the provided material, the “Best of 2017” award from Home Theater Review serves as a significant validation of its excellence. Furthermore, the accolades received by other Tekton Design models highlight the brand’s overall commitment to producing high-performance audio products.
In conclusion, the Tekton Design Double Impact presents a compelling case for audiophiles seeking exceptional sound quality and outstanding value. Its innovative design, robust engineering, and overwhelmingly positive reception from both experts and users position it as a top contender in its class and a product that deserves serious consideration for any discerning audio enthusiast. The evidence strongly suggests that the Double Impact offers a listening experience that is both sonically rewarding and financially sensible, making it a truly remarkable loudspeaker in the current market.
Works cited
- Tekton Designs Double Impact Loudspeakers – Stereo Times, https://www.stereotimes.com/post/tekton-designs-double-impact-loudspeakers/
- Double Impact SE | Tekton Design, https://tektondesign.com/product/full-range-speakers/flagship/double-impact-se/
- Double Impact | Tekton Design, https://tektondesign.com/product/full-range-speakers/full-towers/double-impact/
- Tekton Double Impact – Speakers – HifiGuides Forums, https://forum.hifiguides.com/t/tekton-double-impact/22657?page=5
- The Best Speaker Award – Tekton Double Impact Speaker Review …, https://m.youtube.com/watch?v=MKw07n6qqBY&t=0s
- Tekton Double Impact Loudspeakers – Positive Feedback, https://positive-feedback.com/reviews/hardware-reviews/tekton-double-impact-loudspeakers/
- Tekton Design Double Impact Floorstanding Speaker Reviewed …, https://hometheaterreview.com/tekton-design-double-impact-floorstanding-speaker-reviewed/
- Professional Reviews | Tekton Design, https://tektondesign.com/professional-reviews/
- Tekton Double Impact Loudspeakers – Positive Feedback, https://positive-feedback.com/reviews/hardware-reviews/tekton-double-impact-adventures-with-high-sensitivity/
- Tekton Double Impact Review – Audiogon Discussion Forum, https://forum.audiogon.com/discussions/tekton-double-impact-review
- New Tekton Design Double Impact BE. – What’s Best Forum, https://www.whatsbestforum.com/threads/new-tekton-design-double-impact-be.27033/
- Tekton Design Double Impact Reference Loudspeakers – What’s Best Forum, https://www.whatsbestforum.com/threads/tekton-design-double-impact-reference-loudspeakers.22616/page-4
- Best Speaker Award – Tekton Lore Speaker Review ! – YouTube, https://www.youtube.com/watch?v=yCIj-g86UhE
- Double Impact Theater Package | Tekton Design, https://tektondesign.com/product/hi-fi-home-theater/theater-packages/double-impact-theater/
- Category: Specials | Tekton Design, https://tektondesign.com/products/specials/
17 reviews for Double Impact
| 5 star | 94% | |
| 4 star | 5% | |
| 3 star | 0% | |
| 2 star | 0% | |
| 1 star | 0% |
James T. (verified owner) –
The Double Impact is a very big speaker. I’m very impressed with the quality of sound these speakers. The sound stage initially shocked me. It was very deep and wide. I felt as though I was in the New York Philharmonic. I listened to an old Willie Colon album and could hear every instrument and visualize their location. They play very clear and effortlessly at low volume, yet can maintain clarity at the higher volumes. For my personal taste I could use a little bit more sparkle on the top end. With these speakers I have no problems listening for hours without getting any fatigue.
Andrew (verified owner) –
The Double Impact has been around a while and is still an incredible cost to performance value. The speaker is very efficient, neutral, powerful and natural sounding with most music. The smooth, powerful bass always grabs me and anchors the music in a way not a lot of others can manage. Thank you for a great set of speakers!
Jeffrey B. (verified owner) –
The best speaker I have ever owned.
E.D. –
This is a follow-up to my first review 18 months ago. The Double Impacts are fully broken-in. When listening to electronica, I am sometimes distracted by an unexpected sound coming from somewhere in my home. There is a sudden sound to my left, or a beeping or clicking, or a “What the heck was that?” sound coming from two rooms away. So I hit the mute button to investigate. Nothing. It turns out to be recorded sound effects. These are recordings I’ve heard since the early 90’s.
Over and over, with all kinds of genres, the sound has so much there-ness that the experience is visceral and emotional. I hear the music. I see the speakers. But I can’t hear the speakers. They disappear.
The only caveat regarding the Double Impacts is that they will reveal deficiencies your upstream components. You don’t need to spend a fortune. But you will have to do your homework. Mine paid off. The Double Impacts make me feel set for life after 30 years of audiophile pursuits. 5 Stars confirmed.
J –
I work in audio and am a musician and long time audioholic. I’ve listened to many speakers from many different brands and speaker arrangements. Currently I use focal monitors for my studio. These are my impressions of the DI:
I hooked up the Double Impacts to my plain old Onkyo Tx-NR676 receiver and placed them directly where my old speakers were with my Amazon basics wiring that I attached to generic banana clips. I put the receiver on bypass, thereby terminating my two Rhythmik LVX12 subs. Here are my impressions of their sound, as that’s what people actually care about:
Listening to Pink Floyd, Dark Side of the Moon is a whole new experience. As the album starts, the sense of space and realism is palpable. I know I’ve entered a new realm. My wife comes down stairs remarking on how good it sounds upstairs at the end of the hallway. I can’t help but giggle at her.
When the song Time opens up, and the clocks are ticking and then the alarms go off, I literally burst into laughter at the sheer sound being delivered to my eardrums. The raw detail, gigantic soundstage, and holographic imaging floored me. I can’t wait to see people’s faces when they hear it.
The bass is taut and textured and fills my rather large open floor plan downstairs. I think the rhythmik subs I have help fill out the lowest of lows but in a medium sized or small room, these could be all you need ever. The mids are spot on. The soundstage is absolutely enormous with precise imaging.
Last night track after track I put through these blew my socks off. From real instruments to electronic music, everything just sounded…. Basically perfect. I am in audio nirvana and won’t be leaving the couch much today. Best $2000 I have ever spent. I can’t get myself to try to toe them in for anything. They just sound so good. Eventually I will. For now, that would take away from listening time. I’m spellbound
J
Bill –
Holy Smokes! I’m about 40 hours in and these things get better each day! I’m running allo DigiOne > mac C52 > mac MC452. Today I put in the Jerry Garcia Band Live douuble CD(flac). I’ve had this music for 30 years and I heard things in this recording that I’ve never heard before. I had the C52 set at 60% so I was pushing these with 375+ watt peaks. Sitting about 15 feet away. I’ve never heard Jerry sound like this before. The sound was 3D in nature. Was in listening heaven. Best purchase ever!
E. Diaz –
This evaluation is done after over 200 hrs of break-in.
The last time I had experienced sonic bliss was with a system that cost $70,000 in 1998: 550lb. Dunlavy SC-VI speakers, monoblock tube amps that looked like jewelry, speaker cables as thick as my wrist, and a fully-treated, dedicated, audio-retailer listening room that had walls filled with sand. That system would cost $117,000 in today’s dollars. The Dunlavys alone would cost $42,000.
That was then. Now, I have finally arrived at a small fraction of the price. I feel no need to further chase the audiophile horizon. As the Double Impacts have broken in, I have been continuously and increasingly astonished at their natural and ghostly-holographic sound. Just this week I switched from a Sony Blu-ray transport to a server, using Exact Audio Copy to ensure perfect digital data transfer onto the hard drive. The difference was INSTANTLY noticeable to myself and my non-audiophile friend. Some people say that digital source makes no sonic difference: “Its all 1’s and 0’s”. But the Double Impacts revealed the change of digital source in way that jumped out at my non-audiophile friend. Well, that is an understatement. It was more like the sonic difference was thrown (lovingly) at our heads. And this transport/server comparison was done with real-time A/B switching. I had also experienced a prior improvement in clarity and soundstaging by re-terminating the speaker cables to eliminate signal-thru-solder.
Putting audio into visual terms, we audiophiles seek a transparency akin to a clear window pane. These speakers are more like a wide open window; no glass. Your upstream changes will stand out.
I have at least 2 dozen audiophile-grade recording on CD’s that I’ve owned for 20-35 years. Everything from classical, to jazz, to electronica. I am hearing the music again for the first time- with background instrumentation and minute sounds effects that eluded me for over 1/3 of a century. The difference in low level detail is not subtle.
The bass is phenomenal; powerful and nuanced. The Double Impacts do not overpower the living room of my average-sized apartment. Sine wave tests with a decibel meter show a startlingly flat bass response at my seating position even though the back of the speakers are 10 inches from the back wall. Maybe I got lucky? And the soundstage has very good depth in spite of the compromised speaker placement. The midrange is glorious, deserving more words than I can write here. The treble is pristine and liquid. These are like electrostats with sensitivity and SLAM.
The reason is now obvious for the rave magazine reviews of the Double Impacts. Writing to describe the Double Impact’s transparency and oomph is like discussing sex with with a virgin. I didn’t have to win the lottery to finally achieve my goal of re-experiencing the jaw-dropping sound of that crazy-dollar system from 1998.
Associated equipment: Musical Fidelity A300, Schiit Bifrost DAC, Kimber PBJ interconnects, Audioquest Type 4 (crimp terminated without solder), dedicated laptop computer configured with Fidelizer and playing WAV files ripped from CD’s.
User Review –
Eric, i received my double impacts today and I am amazed. I am dumbfounded as to how you designed this speaker, was it a dream, was it a premonition, was it science. I cannot fathom how you have done it. I would think that your doors are being beaten down by audio shops that want to carry your line. This reminds me of the day I was at the unveiling of the ess heil line. That was at a shop called Paragon and of course they specialized in the paragon, when the heils were auditioned half the room rushed to the hallway to confront the owner of the shop. I had a feeling that I should have gotten the SE, based on what i have experienced with the double impacts I am confident that the SE would certainly be worth the upgrade.
Good luck!
Jim
User Review –
We recently took a Family Vacation that ended up taking us through Orem UT on the way to Lagoon. I stopped at a Golden ear / Revel dealer on the way up and spent an hour listening to both brands, (very different from each other), and in my opinion were both just poorly paired with electronics for my taste. In fact I would’ve swapped configurations had I had the time but left feeling that the revel was a muddy mess and the Golden ears were dry and lean lacking organic bass. The pairing of gear was no doubt the issue. I’ve been in shops that preferred the overly creamy bass sound before so it’s a taste I’m not a fan of because it kills the treble detail that I like. Upon leaving I called Tekton with about 2 hours of advance notice, which I don’t recommend (later), and I was met with an extremely pleasant welcoming experience. I was expecting a showroom properly treated like the last I had experienced, with music of choice on a server ready to pipe into the speakers of choice. Actually what I was met with was a shop. Cabinets placed in a warehouse at different stages of completion and a few very busy, but polite individuals, including Eric Alexander. I was lead to another small warehouse location with more cabinets but in the center an opening where a drum set, a pair of DI’s and a pair of Ulfberhts sat. Probably Eric’s “break area”. There was no treatment to the room at all, the electronics were Parasound. Very modest in comparison to the shops I’ve been in. Sean does a great job of describing the speakers sound. The speakers deliver the detail top to bottom frequency wise, details of the bass were stellar, the highs with just the right amount of air, and hearty midrange. Like u were there and the audio guy knew what he was doing. I knew then that had I had more time that day it wouldn’t have mattered, nor if I had brought my own demo music. Why? Because I would’ve chosen music that the DIs would’ve sounded awesome reproducing but only because I don’t choose average material to demo. I immediately started asking for music that I was truly fond of, average rock recordings and such. They didn’t have my music collection, sorely, nor were they given more than 2 hours for a nobody to walk into their shop looking to demo speakers where building them was their sole focus. After about 10 songs from various artists that I picked from a crate full of Erics CDs I knew I found what I was looking for. The last time I had an experience like this I was listening to Focal Sopra 2s paired with McIntosh gear. Wish I had known, I’d have come perpared to be comfortable and pick all the songs I love not just the well recorded ones. I may have stayed so long they had to charge rent. Getting a pair in that deep grey, they’re gorgeous.
User Review –
I want to leave you guys (Eric and Karma) with a few words of my feelings toward the Double Impact speakers. Hopefully what I have to say will motivate you to stay the coarse that you are on. Because I used to own and operate an audio store I have had the opportunity to live with a lot of different speakers.This gives me a different view than most people have.
These Double Impacts play really big and they are very transparent, but organic and natural sounding at the same time. These are attributes normally only found in speakers costing ridiculous amounts of money and even then there are no guarantees. The best thing I can say about them is that I really like them and hope that your company does well, so that more products like the Double Impacts will be available to us all.
Thank You
Robert Vaughan
User Review –
I wanted to send you a brief email to let you know I received my DIs two days ago. After taking my time unpacking and positioning my speakers I connected them using the Mogami cables you sent to my Peachtree Nova300 integrated amp. The first track I played was Miles Davis’ Bitches Brew and like everyone else I’ve read reviews from I was absolutely blown away by the sound emanating from my new speakers! Words cannot describe my excitement and elation. I am a mathematician by education and certainly not an engineer by any stretch so although I took the time to go to the US Patent Office website and read your patent I don’t understand much of what is written there but I do understand the basic concept of what you have accomplished. However, not knowing the details of the technology you have created is not a necessity in order to enjoy these Double Impact speakers. I have been a music lover for some 56 years since I was 10 years old so I have quite an extensive and eclectic library of music. Listening to my music through your newly designed speakers has made my library anew since I am hearing things that have been there all along but I never heard. I really appreciate what you have done along with the price point that allows so many people who can’t afford the price of other high end speakers. I love these Double Impacts!!
Thank you Eric!
Sincere Regards,
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Ray
User Review –
I can’t tell you how awesome these speakers sound (i’m sure you’ve heard them). Every day after work I have been “jamming out” and just having a blast.
I mentioned that I had been hunting for a pair of speakers for around 7 years because I didn’t want to get a case of upgrade-itis after I heard something better. My patience has paid off!!! These have just blown me away and I have to say that the more I listen I have to say that there is nothing I heard at The RMAF that I would swap out for my Double Impacts. Even at a cost no object all the way up to the names of Tidal, Wilson, and other exotic stuff that cost more than my house and I can’t pronounce, I still want the DI’s because they make music fun!!!!!!!
wait…… what about the all the detail of highs, lows and everything in between. If I cant tell what mouthwash the performers use than the speaker isn’t transparent. Plus, if the snare drum sounds like it’s 14 feet away in just the right 3d image…. Blah Blah Blah.
forget that….THESE ARE FUN!!!! I can forget about all the audiophile language and just enjoy music. These speakers are perfect at telling the story the artist wants to tell.
If you spend your time analyzing the minuscule details of music you miss the big picture. Music is a big picture experience, and your speakers get it right. Keep in mind this is with my Denon receiver. I think the big name audio companies have been selling a lot of sizzle and not a lot of substance. Keep doing what you’re doing Eric.
You’re always welcome in Gillette WY if you are ever passing though!!!
Andrew
User Review –
Got my Double Impacts up and running and so far they are incredible! Only have about 20 hours on them so far, but I am completely blown away!
Thanks for making these incredible speakers, and for selling them at such a reasonable price point! Every day while sitting at work I can’t wait to get home to throw on a record and experience it in a whole new way!
Devon
User Review –
I received the Double Impacts on Tuesday and have done a lot of listening the last 5 days. First off, they arrived in perfect condition and really are impressive looking speakers. Your boxing is very clever, and although I’m 68, I had no trouble unpacking these bad boys all by myself.
I have been listening in stereo and the DI’s have exceeded my expectations even though you told me how good they were. My current 5.1 system is no slouch with my fronts (more expensive than the DI’s), my rears are
another well respected floor stander and my sub is highly reviewed and well acclaimed. I will not name brands as that just is not my style. This system produced some sweet music.
Back to the Double Impacts.I have been listening in stereo only. These speakers have incredible dynamics. I had to move my listening point back 4 or 5 feet. The bass is the best I have ever heard and its not even close. It is clean, powerful and articulate. The detail of these speakers make all my music sources sound like I’m listening to them for the first time. They raised the sonic level of all my recordings. I am hearing background vocals and music I have never heard before. The differentiation of the instruments is unlike any other I have heard. It is a treat to listen to and watch on a Blu-Ray concert. The Eagles farewell tour on Blu-ray went from being very good sonically to just plain out of this world. The “best of Fourplay” is another good jazz cd that the DI’s just put right in my living room.
I’ve sold my entire 5.1 system and will be listening to the DI’s in stereo only. I feel I have found the perfect speaker for me. I couldn’t be happier. You are a musical genius sir. I hope you market these well and get the acclaim and recognition that you and these speakers deserve.
Thanks – Dan Z
User Review –
I’ve been listening to the Double Impacts for about a month now and am impressed with how they sound. But before that let me quickly describe my speaker journey over the last 13 years.
I’ve owned B&W 804 (mains), HTM3s (center) and CM5 (rear) for the past 13 years and loved the “signature” B&W sound. I’ve always wanted to upgrade to the 802’s and had been auditioning them
for the last 6 years. However, the minor difference in the mid, lack of enough bass on the 804 and a better soundstage on the 802 would not justify the huge price difference between the two
(I just added a sub). The 802 went from about 8K in 2003 to 22K in 2016 without any significant difference in sound aside from the materials used for the drivers and the “cool” looks.
While looking for speakers that would not cost an arm and a leg, I auditioned the Paradigm S8, Monitor audio Platinum series, SVS Prime ultra and Martin Logan classic and finally decided
to go with the Paradigm S8, but while looking for good deals I read a review about the GoldenEar Triton 1’s. The GE Triton 1’s were amazing, way way better than all the speakers I’d listened
to, in terms of detail and soundstage. Only thing I disliked about them was that they are active speakers.
So, I first bought the GE Triton 7’s for my living room and was reading up about the Triton 1’s when I stumbled upon Tekton’s testimonials, where someone described how much better the Tekton
speakers were. After going through the Tekton thread on a certain blog, I went ahead called Eric and ordered the Double Impacts.
Out of the box, the DI’s were insanely amazing. The first thing that it reminded me of was the Wilson Alexandria X-2 that I had a chance to listen to while auditioning for my 804. Please note that
I listened to the wilson’s for about 15 mins, but, their sound got stuck in my head ever since. On the DI’s I could hear certain sounds on tracks that I had not heard before “clearly”. These are CD’s that
I use to audition speakers and I’ve been listening to them for more than 15 yrs now. Thinking that it was my mind, I let the DI’s run on it’s own, went back and listened to the same tracks on the GE Triton 7’s
and the 802 D3 (at the dealer), I was wrong, the Triton 7’s and 802’s could not reproduce them as accurately as the DI’s. After about 15 hrs on the DI’s I sat down for some serious listening, and blown away is an
understatement on how I can describe what I was hearing. The soundstage is incredible, the high’s, mid and bass is spot on. Even at low volumes they are a pleasure to listen too and do not lose any
detail or accuracy. At extremely high volumes (101 dB) they are clean and nice with no harshness. Listening to recorded live music is like being in front of the performance.
Though these speakers are quite big, they disappear behind the huge wall of sound they present (as one DI owner described on a Tekton thread).
Thank you Eric for putting the performers and performance right in front of me. These speakers will not be replaced anytime soon (unless Eric comes up with something better). Btw, I returned the GE Triton 7’s the next day I got the Double Impacts.
Components paired with DI’s
Rotel RMB-1075
NAD T-175HD
Anthem MCA-325
Anthem AVM-60
Thanks
Johny
User Review –
Just wanted to let you know that these new Double Impact speakers are outstanding! The music comes through at any volume level, from low to high. I’ve found a new enjoyment of listening at low volumes, as I can still hear all the dynamics in the music! However, when I want to crank it up, they respond like a Ferrari! I’ll admit to being a bit nervous about purchasing such large speakers without first hearing them, but I’ve found my concerns were completely unfounded. I have owned speakers from KEF, Monitor Audio, Magnepan, GoldenEar and others. All those speakers gave me a great deal of enjoyment, but I don’t miss any of them, now that I have your Double Impacts! Thanks so much for providing these tremendous offerings at prices that mere mortals can still afford!!!
Mark B.
User Review –
It’s difficult putting into words just how thrilled I am with the Double Impacts, but before I get into sharing their attributes let me describe my speaker journey prior to purchasing them.
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I was an “audiophile” for over 25 years constantly searching for the ultimate system. This search started in 1980 as a college student with my first system consisting of a NAD receiver, Genesis speakers with a Dual turntable. Not bad on a limited budget. Throughout the next 20 years I owned many well respected and known brands including Vandersteen, Magnepan, Revel, Audio Research,Odyssey, Levinson and Proceed. Due to life circumstances, including moving to a new home, I went without an audio system for about 5 years until the audio bug bit again and I pulled my theater system out of the basement. I was using Magnepans across the front with two Vandersteen subs. The wife never liked the height of the Maggie’s so I went on a search for new speakers. I toured the local hi fi shops and found mostly over priced and/or underwhelming speakers. I shifted my search to the Internet and after pouring over many reviews decided to try Aperion. I returned them after one week and fortunately came across Zu Audio and Tekton Designs. After talking to Eric I decided to go with his Enzo’s and was floored by what I was hearing! How could $1,700 speakers sound so good? They filled my room with such beautiful music I soon converted to mostly two channel listening. After a few differant amp purchases I settled on the Raven Audio Blackhawk LE integrated amp and was ready for to improve upon the Enzo’s. A friend convinced me that the Magneplanar 1.7i’s were a must have. They were nice but I couldn’t live without the dynamic, real sound of the Enzo’s and after three weeks went back to them. Raven Audio voices their amps using Legacy Audio speakers and they offered me a deal on their show demo models and I thought this would be the last speakers I’d ever buy. They are amazing speakers, totally full range, seemless from top to bottom with lush midrange and airy highs…….but once again they lacked that dynamic slam I grew accustomed to with the Enzo’s. That slam that drives a drum snap right through you and jolts you upright. My next call was to Eric to order a pair of Pendragons…….until he told me about a new speaker coming up and that I could buy the very first pair made…..the Double Impacts.
After a month with them I couldn’t be more pleased and these are my speakers for life, unless Eric comes up with something even better! They possess the best bass I’ve ever heard……deep, controlled and musical. They are seemless from top to bottom with a liquid midrange and beautiful highs that seem to float in mid air. Oh, and yes, all the dynamic slam one could ask for. Basically they are the Legacy Focus SE’s ( at $12,000/pair) with the addition of huge dynamics. To be fair, the highs on the Focus SE’s might be better, but only slightly and certainly not worth another $8,000 if you ask me. For me the Double Impacts are the perfect speaker, creating a huge wall of sound that recreates live music better than any other speaker I’ve owned. You’ll hear details you didn’t know were in your favorite music and you’ll hear them in a way that places the performers in your room. Nothing is as good as a live performance but this is as close as I’ve heard and that’s the best compliment I can give to a speaker.
Thanks to Eric for not only making such musically real sounding speakers, but for doing so at prices that are not only affordable but at a mere fraction of what you’d have to spend to match them,
Tom