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  1. User Review (store manager)

    Dear Eric,

    I set up my new Sigma OBs last Friday. I just wanted to tell you how amazingly pleased I am with them already, although I haven’t even put 15 hours on them yet. I’m usually hard to please having auditioned or owned various B&W, Magico, KEF, Martin Logan, et al speakers. Your OBs have tremendous musicality, a wonderful wide and deep soundstage, terrific delineation of individual instruments, driving bass, and a delicate high end. The overall coherence is impressive.

    I just finished listening to one of my favorite cuts- Morning Dew from the Grateful Dead’s live at Cornell show. The experience was overwhelming. Who needs sex?

    Again, thanks for your exceptional and budget worthy speakers.


    OB SigmaOB Sigma

  2. User Review (store manager)

    I am proud to say I am the owner of the first pair of 1812 Model V’s. Before I talk about my impression of them, I will first start by discussing my experience other with Tekton products to date.

    I bought a SVS PB13 Ultra sub from a guy who had a pair of Pendragon Towers and a Pendragon Center for his home theater. His room was pretty small, though, and there was no room for Pendragon Surrounds. He could only mount small surround di-pole speakers from another company. He said he absolutely loved his Pendragons but I didn’t have a chance to listen to them since I was pressed for time and had to leave. A short while later, I came across a pair of Pendragon Towers on Craigslist and bought them. I read some reviews online and one reviewer claimed they compete not necessarily with other $2K to $3K speakers, but very hi-fi speakers such as Wilson Audio’s MAXX 3 ($68K), Wisdom Audio’s LS4 ($70K) and Meyer Sound X-10 pro speakers ($30K). After listening to the pair on Craigslist, I was very impressed and took them home.

    My music preferences (which change regularly) are currently deep house, down tempo and chill. After dialing everything in, I was floored at how the Pendragons could simultaneously slam the mids and effortlessly produce low frequencies down to 20Hz. I liked them so much, I bought the show pair Eric brought to the Rocky Mountain Audio Fest to use as the surrounds in my home theater. I have a Pendragon Center and pair of Cinema Subs on order to complete my HT ensemble. In the meantime, the 4 Pendragon Towers sound fantastic with a phantom center and the SVS PB13 Ultra sub. From what I have heard from the LF sections of the 1812’s, however, I expect the Cinema subs will far exceed the sound quality and performance of the SVS.

    On to the 1812’s…

    Since I like to listen to music very loud, I came to the conclusion several years ago that the ultimate solution would be a speaker configured with pro audio output potential and an audiophile sound. The Pendragons satisfied this solution with their pro audio woofers and ring radiator tweeters. While doing my research before securing the first pair of Pendragons, I was intrigued by the 1812’s Eric had on his website. I really didn’t need them since the Pendragons were so great but I had some extra money, had a section in my basement I could dedicate to 2-channel listening area and figured the 1812’s would be the ultimate embodiment of my pro audio/audiophile preference. Based on my experience with the Pendragons and the multitude of awards Eric’s has received on his other speaker models, I plunked down the funds for the 1812’s without listening to them. He informed me he was making a design change (Model V) and asked if I would accept the new configuration. Although the 1812 Model V had never been built or tested, I said yes, absolutely. I trusted him.

    The package came in 8 boxes…4 very large ones for the HF and LF sections and 4 smaller ones with four speaker drivers and hardware. A friend helped me assemble the speakers with the clear written instructions Eric provided. It took a while to put everything together but was well worth the effort. By the end of the night, the 1812’s were bolted, wired and terminated but I didn’t dare turn them on. If there were any issues, I wouldn’t have been able to sleep.

    The next day I fired them up, and, although they were impressive, I needed to make some adjustments. I’m sure most of you have found that the pre-amp, amp and source are critical to the quality of the speaker output. I started with an Oppo BDP-103 player, Sherwood Newcastle R-972 receiver (for pre-amp duty only) and a pair of Crown XLS 2502 amps. After trying numerous configurations (removing the Sherwood, bridging the Crowns for each channel, bi-amping the Crowns for separate HF and LF output), I ended up connecting the Oppo directly to a Crown I-Tech IT5000HD amp. Holy smokes, I have never heard a sound like this before! The highs are crisp and clear with tremendous imaging…the mids are punchy and concise…the lows are clean, correct and enveloping. The more you listen, the more you are drawn into the sound. I heard nuances I hadn’t heard with any other speaker.

    I consider myself an “Audio Enthusiast” which would be less technical than a true Audiophile. Over the past few years, however, I have heard a huge number of speakers at the annual Rocky Mountain Audio Fest. Nothing I have heard at this show produces the audiophile sound with the sheer output of the 1812 Model V’s. These really are the ultimate super speakers.


    1812 Model V121812 Model V12

  3. User Review (store manager)

    Just wanted to drop a line and tell you how knocked out I am by the Enzo XLs. I have them in too small a room at the moment (barely 7′ apart from one another and listener), so I haven’t yet gotten the full scope of their sound, and they’re still breaking in a little more each day. But all that aside, man, you got a great thing going over there.

    I listen to all kinds of music, but what have knocked me off the couch are the acoustic bass and drums on the old Blue Note and Prestige jazz recordings. The brushes! The hollow, wooden bass! Gorgeous. (I drummed and toured for years in a third rate rock band….so I at least know how to listen to Elvin Jones, et. al. Right now, I’m discovering the pleasures of Alan Dawson and Clifford Jarvis.)

    Many thanks, then, for such a fantastic product at such a great price point.

    All best,


    Enzo XLEnzo XL

  4. User Review (store manager)

    I recently took delivery on a pair of the Tekton Cinema subs to complete my Pendragon Theater system. My hope was that they would combine the accuracy and high-impact of world class movie theater subwoofers with the soothing, ultra-low subharmonic frequencies of high-end audiophile subwoofers.

    Prior to the Cinema Subs, I tried a large number of subwoofers in standalone applications and in combination. I have owned SVS, Velodyne, JBL, HSU, Outlaw Audio, Dayton Audio, AV123 MFW-15 and others. At one point, my setup included four (4) JBL 4645C movie theater subs which house JBL’s top-of-the-line 2242H 18” subwoofer drivers. With their 18” cone diameter, high sensitivity and low cone travel (xmax), the JBL’s produced immediate and accurate response to high-impact signals. I had never heard another sub put out the extreme impact these could. I enjoyed them very much but, with a low end rating of 25Hz, they didn’t quite dig deep enough for my tastes. Their timbre was also not a good match with the Pendragons.
    Looking for something that dug deeper than the JBL’s, I decided to go with one of the most highly-acclaimed, “affordable-class” home audio subs, the SVS PB13 Ultra. This is regarded as an audiophile sub rated down to 16Hz. Along with the SVS, I had two Dayton 12” Reference sub drivers mounted into large 4.4cf ported boxes tuned to 23Hz. Because the output of the SVS was significant, the function of the Dayton’s was to simply balance out the LF in the rear section of my home theater. In essence, the Dayton’s were turned down very low.

    For music, the SVS provided very enjoyable ultra-low frequencies. For movies, however, it didn’t produce the high-impact LF response of the JBL’s. From my experience, explosions weren’t as immediate and accurate, and the SVS didn’t seem to consistently reflect what the input signal was delivering. With the much longer cone travel of the SVS, it was as though the driver couldn’t keep up. Explosions at lower volumes were fine but, after turning the volume up to the high levels I prefer, they became less defined. It seemed like the low frequencies were compounding and made explosion peaks louder than they should have been. This apparent cascading phenomenon also made it harder for me to dial-in the proper gain since I couldn’t predict the snowball effect of the compounding low frequencies.

    I know there are a lot of loyalists out there who swear by SVS, and I certainly respect that. I have owned several myself including the PB13 Ultra, SB13 Ultra, 16-46PC Plus and 25-31PC Plus. They are really great subs but, based on my personal experience with them and JBL movie theater subs, I think they are best suited for music.

    When I first looked at the specs for the Tekton Cinema Sub, I thought…“This might be the one. This should combine the high impact and accuracy of a real movie theater sub with the ultra-low subharmonic frequencies of an upper-end musical sub. Could this be the Holy Grail of subs I have been seeking?”

    I went through my personal checklist…1.) Big box for musicality, CHECK…2. High-displacement 18” driver, CHECK…3.) Lower XMAX for accuracy, immediacy and high impact, CHECK…4.) Frequency range down to 19Hz, SOLD!
    Often when you buy something with a certain expectation, you find yourself excited and nervous at the same time. You plunk down a significant amount of cash which may end up buying you a gem or a major disappointment. I can tell you, the Cinema subs ended up being Diamonds. They exceeded my expectations, which were REALLY high. When I ran my initial sample clips from the original Matrix movie (gunfight in the lobby, shootout with the agent on the rooftop and saving Trinity as the helicopter was crashing), I was floored at what I was hearing. Like the JBL’s, I was walloped (in a good way) by with the high-impact response but swaddled by the soothing full range of the low frequency spectrum. The Cinema Subs reached noticeably lower than the JBL’s and were much more precise than the SVS. Gain control for the Cinema Subs was highly predictable as, unlike the SVS, there was no cascading low-frequency compounding effect when I turned them up. They are just plain clear whether the volume is high or low.

    Playing music through them is similar to movies….the output is full, accurate and consistent throughout the frequency range. I enjoy their musicality far more than the JBL’s and SVS. You are bathed in the entire range of the low frequency spectrum.

    The timbre of the Cinema subs blend perfectly with the Pendragon Theater package. It is difficult to tell when one speaker drops off and another picks up. It is a remarkable setup with seamless matching. After 6 years of trying numerous subs and HT setups, I have no more reasons to tinker.

    Not sure if you saw the movie “Gladiator” with Russell Crowe, but, immediately after the Romans prevail at the end of the opening battle scene against the Germanic tribes, Marcus Aurelius bows his head and heaves a profound sigh of utter relief.
    That was me with the Cinema Subs…my battle was over, my quest complete.

    In the end, my hope became reality. Tekton Cinema Subs combine the accuracy and high-impact of world class movie theater subwoofers with the soothing, ultra-low subharmonic frequencies of high-end audiophile subwoofers. Excelling in both music and home theater, the Tekton Cinema Sub truly is, in my opinion, the Holy Grail of subs.


    Cinema SubCinema Sub

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