I’m pleased to announce production of the newly redesigned and updated Tekton Design 1812 model V. The 1812 Model V signifies the implementation of a single 18″ subwoofer capsule combined with arrays of 12 6.5" mid frequency transducers and 12 1" high frequency transducers; we've also now added a centrally located super tweeter.
The 1812 is packed with forward thinking innovation and technology… from it’s innovative time/phase alignment, precisely calculated and engineered impulse response, impressive horizontal and vertical power response to the recently allowed patented technology that rewrites the book on how a loudspeaker should be designed and implemented; a new patent that proves our competitors loudspeakers (everything produced today) is obsolete. In layman terms a new patented technology has Tekton Design producing loudspeakers that allow for the subtle nuances, upper order harmonics, and subtle details contained within the source to be reproduced and discerned. Multiple professional reviews are scheduled and in the queue now. Whether your listening taste is 2 channel hi-fi or full home theater the new Tekton 1812 is ideally suited for your needs. The new Tekton 1812 is a truly special loudspeaker!
Note: the Tekton Design 1812 contains patented technology with multiple patents pending including design patents pending.
I am proud to say I am the owner of the first pair of 1812 Model V’s. Before I talk about my impression of them, I will first start by discussing my experience other with Tekton products to date.
I bought a SVS PB13 Ultra sub from a guy who had a pair of Pendragon Towers and a Pendragon Center for his home theater. His room was pretty small, though, and there was no room for Pendragon Surrounds. He could only mount small surround di-pole speakers from another company. He said he absolutely loved his Pendragons but I didn’t have a chance to listen to them since I was pressed for time and had to leave. A short while later, I came across a pair of Pendragon Towers on Craigslist and bought them. I read some reviews online and one reviewer claimed they compete not necessarily with other $2K to $3K speakers, but very hi-fi speakers such as Wilson Audio’s MAXX 3 ($68K), Wisdom Audio’s LS4 ($70K) and Meyer Sound X-10 pro speakers ($30K). After listening to the pair on Craigslist, I was very impressed and took them home.
My music preferences (which change regularly) are currently deep house, down tempo and chill. After dialing everything in, I was floored at how the Pendragons could simultaneously slam the mids and effortlessly produce low frequencies down to 20Hz. I liked them so much, I bought the show pair Eric brought to the Rocky Mountain Audio Fest to use as the surrounds in my home theater. I have a Pendragon Center and pair of Cinema Subs on order to complete my HT ensemble. In the meantime, the 4 Pendragon Towers sound fantastic with a phantom center and the SVS PB13 Ultra sub. From what I have heard from the LF sections of the 1812’s, however, I expect the Cinema subs will far exceed the sound quality and performance of the SVS.
On to the 1812’s…
Since I like to listen to music very loud, I came to the conclusion several years ago that the ultimate solution would be a speaker configured with pro audio output potential and an audiophile sound. The Pendragons satisfied this solution with their pro audio woofers and ring radiator tweeters. While doing my research before securing the first pair of Pendragons, I was intrigued by the 1812’s Eric had on his website. I really didn’t need them since the Pendragons were so great but I had some extra money, had a section in my basement I could dedicate to 2-channel listening area and figured the 1812’s would be the ultimate embodiment of my pro audio/audiophile preference. Based on my experience with the Pendragons and the multitude of awards Eric’s has received on his other speaker models, I plunked down the funds for the 1812’s without listening to them. He informed me he was making a design change (Model V) and asked if I would accept the new configuration. Although the 1812 Model V had never been built or tested, I said yes, absolutely. I trusted him.
The package came in 8 boxes…4 very large ones for the HF and LF sections and 4 smaller ones with four speaker drivers and hardware. A friend helped me assemble the speakers with the clear written instructions Eric provided. It took a while to put everything together but was well worth the effort. By the end of the night, the 1812’s were bolted, wired and terminated but I didn’t dare turn them on. If there were any issues, I wouldn’t have been able to sleep.
The next day I fired them up, and, although they were impressive, I needed to make some adjustments. I’m sure most of you have found that the pre-amp, amp and source are critical to the quality of the speaker output. I started with an Oppo BDP-103 player, Sherwood Newcastle R-972 receiver (for pre-amp duty only) and a pair of Crown XLS 2502 amps. After trying numerous configurations (removing the Sherwood, bridging the Crowns for each channel, bi-amping the Crowns for separate HF and LF output), I ended up connecting the Oppo directly to a Crown I-Tech IT5000HD amp. Holy smokes, I have never heard a sound like this before! The highs are crisp and clear with tremendous imaging…the mids are punchy and concise…the lows are clean, correct and enveloping. The more you listen, the more you are drawn into the sound. I heard nuances I hadn’t heard with any other speaker.
I consider myself an “Audio Enthusiast” which would be less technical than a true Audiophile. Over the past few years, however, I have heard a huge number of speakers at the annual Rocky Mountain Audio Fest. Nothing I have heard at this show produces the audiophile sound with the sheer output of the 1812 Model V’s. These really are the ultimate super speakers.